hard to find a more pressing issue of violence against children. Serious issue, demanding that often strikes people's sensitivity. Does not want to hear, it seems that something inhuman is not of this world. Yet such acts do not come down to earth makes no devil, no demon, guilty of acts so terrible is always a man born of the society.
The problem exists and does not deal with matters worse: the crimes of a sexual nature are the most common, are more frequent even murders.
And we're not talking about events that take place in distant countries, but from all over the world, featuring people of every race, religion, social class, not we think of people as "barbaric" that has nothing to do with our world.
Even more disturbing is that most child abuse is not the work of maniacs, maniacs roam the streets, but in 9 out of 10 cases is the work of a relative or otherwise a person familiar with the child, who has his trust, the drama is often consumed at home.
Talbot "The history of bad mouse" pierces the veil of indifference, silence, shoot the wall that is usually built for non venire a sapere di queste cose, è sempre comodo fare finta di niente ed andare avanti per la propria strada. Lui stesso nella postfazione del volume sottolinea quanto sia importante parlare del problema, portarlo alla luce, demolire questa “cospirazione silenziosa” e proporre una via di uscita a tutti quelli che hanno subito un trauma del genere.
Il ruolo dei media potrebbe essere infatti fondamentale: spesso le vittime, soprattutto quelle più giovani, pensano di essere le uniche in una situazione del genere, pensano che quanto accaduto affligga unicamente loro e tendono a chiudersi nel silenzio ed isolarsi dal mondo.
Helen è una ragazza bionda scappata di casa. Facciamo la sua conoscenza mentre sta mendicando in the corridors of the metro. We understand that now carries with it a load of exaggerated suffering, an indelible scar that influences them, something bad where he can not escape. He speaks with difficulty, trying not to trust anyone, can not bear to be touched by others. Through flashbacks we learn of short fragments of his past, his family situation, although it is unclear what was the trigger spring in her the feeling of revulsion to others.
With the sequence of pages, which makes the meetings, the decisions it takes, memories of the past, Talbot gives us the full picture.
Helen, to return to truly live, to overcome trauma, has to deal with those who caused so much pain, so much pain, so much suffering: his father.
The first step to exit the tunnel is in fact an encounter with the person causing the injury, the breach of which is sunk in despair can only be done through a comparison with his executioner.
Children who suffer sexual abuse usually tend to attribute to themselves all the wickedness of the harassment victim, they think they are bad, they do not deserve to be happy ("I was convinced to be the worst creature ever to be brought into the world. I could not tell anyone. I did not mean that people should come to know that I was so bad. I could not get close to no, I could not bear to be touched. I felt so alone. So petty. So different from everyone else. I felt like a monster. ") Fail to see their parents as bad people. Only
screaming in your face all the rage torturer for his selfish behavior, Helen manages to get back in control of their lives.
With a commendable skill, Talbot imprints on the tablets the passion with which he tackles this issue, painted with the story of Helen expertise, its drama and the path of re-appropriation of himself: a book to read!
The problem exists and does not deal with matters worse: the crimes of a sexual nature are the most common, are more frequent even murders.
And we're not talking about events that take place in distant countries, but from all over the world, featuring people of every race, religion, social class, not we think of people as "barbaric" that has nothing to do with our world.
Even more disturbing is that most child abuse is not the work of maniacs, maniacs roam the streets, but in 9 out of 10 cases is the work of a relative or otherwise a person familiar with the child, who has his trust, the drama is often consumed at home.
Talbot "The history of bad mouse" pierces the veil of indifference, silence, shoot the wall that is usually built for non venire a sapere di queste cose, è sempre comodo fare finta di niente ed andare avanti per la propria strada. Lui stesso nella postfazione del volume sottolinea quanto sia importante parlare del problema, portarlo alla luce, demolire questa “cospirazione silenziosa” e proporre una via di uscita a tutti quelli che hanno subito un trauma del genere.
Il ruolo dei media potrebbe essere infatti fondamentale: spesso le vittime, soprattutto quelle più giovani, pensano di essere le uniche in una situazione del genere, pensano che quanto accaduto affligga unicamente loro e tendono a chiudersi nel silenzio ed isolarsi dal mondo.
Helen è una ragazza bionda scappata di casa. Facciamo la sua conoscenza mentre sta mendicando in the corridors of the metro. We understand that now carries with it a load of exaggerated suffering, an indelible scar that influences them, something bad where he can not escape. He speaks with difficulty, trying not to trust anyone, can not bear to be touched by others. Through flashbacks we learn of short fragments of his past, his family situation, although it is unclear what was the trigger spring in her the feeling of revulsion to others.
With the sequence of pages, which makes the meetings, the decisions it takes, memories of the past, Talbot gives us the full picture.
Helen, to return to truly live, to overcome trauma, has to deal with those who caused so much pain, so much pain, so much suffering: his father.
The first step to exit the tunnel is in fact an encounter with the person causing the injury, the breach of which is sunk in despair can only be done through a comparison with his executioner.
Children who suffer sexual abuse usually tend to attribute to themselves all the wickedness of the harassment victim, they think they are bad, they do not deserve to be happy ("I was convinced to be the worst creature ever to be brought into the world. I could not tell anyone. I did not mean that people should come to know that I was so bad. I could not get close to no, I could not bear to be touched. I felt so alone. So petty. So different from everyone else. I felt like a monster. ") Fail to see their parents as bad people. Only
screaming in your face all the rage torturer for his selfish behavior, Helen manages to get back in control of their lives.
With a commendable skill, Talbot imprints on the tablets the passion with which he tackles this issue, painted with the story of Helen expertise, its drama and the path of re-appropriation of himself: a book to read!
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